My article included in an anthology of Central and Easter European feminist writing

I am so thrilled to see my article, “Entering the Elusive Estate of Photographer Zenta Dzividzinska (1944-2011)”, published in MoMA Post in 2021, now included in an anthology of Central and Eastern European feminist writing!

The publication Central Eastern European & Diasporic Feminisms. Bibliography was launched on May 15, 2024, at Biblioteka (a reference library originally from Kyiv now based in London), 1 Montague St (Architectural Association), London.

Publisher: Cell Project Space, https://www.cellprojects.org/events/get-involved-ceed-feminisms

How to access this publication?

You can access an online interactive version of this publication here: https://www.cellprojects.org/content/ceedbibliography/digital

Or, otherwise, you can order a printed copy of the publication here: https://www.cellprojects.org/products/ceed-feminisms-bibliography

About the publication:

“Embracing wom+n-led practices and organising before and under state socialisms, as well as academic and non-academic feminisms from the ‘region’ emerging before and after independence, the CEED Feminisms Bibliography sketches a constellation of urgent and ongoing feminist and decolonial conversations that decentre Western feminism. Mapping CEED Feminisms for English readers, it distils conversations and references offered by the CEED Feminisms Working Group, comprising over 40 practitioners based in and beyond the UK, from May 2023-4.”

“The bibliography is a collective research compiled by Bogana Ababii, Holly Antrum, Laura Bivolaru, Diana Damian, Lina Džuverović, Sabrina Fuller, Vanessa Giorgio, Markéta Hašková, Jessie Krish, Marta Marsicka, Adomas Narkevičius, Maja A. Ngom, Helena Reckitt, Marta Zboralska, and others who wish to remain uncredited.”

“CEED Feminisms is a Research Group of the British Art Network (BAN). BAN is a Subject Specialist Network supported by Tate and the Paul Mellon Centre for Studies in British Art, with additional public funding provided by the National Lottery through Arts Council England. CEED Feminisms is additionally supported by Cockayne Foundation.”