My contribution to the exhibition History of the Photo Club "Riga" at the Latvian Museum of Photography, Riga, Latvia (August 31 - October 22, 2017). The exhibition marks the 55th anniversary of the club which had an immense role in the development of creative photography in Latvia in the 1960s.
Read moreTalk about Brazilian photographer José Oiticica Filho in Galeria MaPA, São Paulo, Brazil
This summer, I had the honor to contribute to a conference dedicated to the Brazilian photographer José Oiticica Filho (Rio de Janeiro, 1906–1964). The conference took place on August 22, 2017, and coincided with an exhibition of his work in Galeria MaPA, São Paulo, July 11 - August 31, 2017. I was invited by art historian and curator Marly Porto.
Read moreInterview for Revista Zum, a Brazilian photography magazine
An interview with me published in the Brazilian photography magazine Revista Zum on July 17, 2017. In Portuguese.
Read moreI'm excited to present my research on Brazilian postwar photography
I'm excited to present my research on Brazilian postwar photography. My paper, "Bandeirante photographers in global context: Brazilian participation in FIAP, 1950–1965" is included in the program of the conference In Black and White: Photography, Race, and the Modern Impulse in Brazil at Midcentury.The conference takes place at the Martin E. Segal Theater, The Graduate Center, City University of New York (365 Fifth Avenue), May 3, 2017.
Read moreDefining competitive photography
In this article, I introduce a term competitive photography and define its historical emergence in the international juried exhibitions of photography in the 1950s. I believe that this term, competitive photography. brings into focus a large segment of photographic practices, contemporary and historical alike, which so far has escaped the attention of scholars.
Read more"The Impossibility of Capturing Butoh in Photography," a new book chapter
How to describe the relationship between butoh, a performance based on movement and emotion, and photography, a medium that freezes movement and removes all emotions? To address this question, in this article I compare of Kamaitachi (1968) by Japanese photographer Eikoh Hosoe (b. 1933), and Riga Pantomime (1964-1965) by Latvian photographer Zenta Dzividzinska (1944-2011).
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