How to describe the relationship between butoh, a performance based on movement and emotion, and photography, a medium that freezes movement and removes all emotions? To address this question, in this article I compare of Kamaitachi (1968) by Japanese photographer Eikoh Hosoe (b. 1933), and Riga Pantomime (1964-1965) by Latvian photographer Zenta Dzividzinska (1944-2011).
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Current work in progress by Alise Tifentale: news about upcoming talks, new articles and book chapters, working notes and findings of dissertation research about photography in the 1950s, and observations about contemporary art and architecture.