Earlier this spring I had the honor to present my research in a talk "The Networked Camera: Mapping the Universe of Instagram Photography" at the panel Social Media in Theory & Praxis: What Is at Stake Now? at the Graduate Center, City University of New York, on April 18, 2018.
Read moreExcited to speak at the international symposium Now Memories
I’m excited to present my latest research in the talk “The Family of Man (1955) and the Family of Photographers: Insiders and Outsiders of the Most Famous Photography Exhibition" at the international symposium "Now Memories" in Riga, Latvia, on April 13, 2018.
Read moreNew book chapter "The Selfie: More and Less than a Self-Portrait"
Just published! New book chapter is out: Alise Tifentale, “The Selfie: More and Less than a Self-Portrait,” in Moritz Neumüller, ed., Routledge Companion to Photography and Visual Culture (London, New York: Routledge, 2018), 44–58.
Read moreNew book chapter "Competitive Photography and the Presentation of the Self"
Hot off the press! New book chapter: Alise Tifentale and Lev Manovich, "Competitive Photography and the Presentation of the Self" in Jens Ruchatz, Sabine Wirth, and Julia Eckel, eds., Exploring the Selfie: Historical, Analytical, and Theoretical Approaches to Digital Self-Photography (Palgrave Macmillan, 2018), 167-187.
Read moreWhat did I do in 2017?
"What you're working on these days?" people often ask, adding "I haven't heard from your for a while." To answer this question at least partly, here I quickly summarize some of my work from 2017 and outline some projects that are coming up in 2018. Happy and productive New Year!
Read moreMy novel included in a Latvian literature anthology in German
I am thrilled to see that a fragment of the German translation of my novel, Riga Warmth (2003), is included in an anthology of Latvian literature, published in Austria. The novel was published first in Latvian, as Rigas Siltums, in 2003. It was translated into German and published in Switzerland as Im Sog von Riga ten years later, in 2013.
Read moreTwo new research articles about photography in the 1950s
Hot off the desk! Just finished two new research articles for the January 15 deadline. These articles offer insights into two major photography exhibitions of the 1950s that have shaped the history of postwar photography - The Family of Man and Photokina 1956.
Read moreWall text for the exhibition "History of the Photo Club 'Riga'"
My contribution to the exhibition History of the Photo Club "Riga" at the Latvian Museum of Photography, Riga, Latvia (August 31 - October 22, 2017). The exhibition marks the 55th anniversary of the club which had an immense role in the development of creative photography in Latvia in the 1960s.
Read moreTalk about Brazilian photographer José Oiticica Filho in Galeria MaPA, São Paulo, Brazil
This summer, I had the honor to contribute to a conference dedicated to the Brazilian photographer José Oiticica Filho (Rio de Janeiro, 1906–1964). The conference took place on August 22, 2017, and coincided with an exhibition of his work in Galeria MaPA, São Paulo, July 11 - August 31, 2017. I was invited by art historian and curator Marly Porto.
Read moreI'm co-organizing a conference "Revolution in the Margins, 1917-2017: Modern and Contemporary Art from Eastern, Central, and South Eastern Europe"
I'm co-organizing a graduate student conference "Revolution in the Margins, 1917-2017: Modern and Contemporary Art from Eastern, Central, and South Eastern Europe" on Friday, October 13, 2017, from 9:30am to 7:00pm in the Skylight Room (9100) at The Graduate Center, City University of New York.
Read moreInterview for Revista Zum, a Brazilian photography magazine
An interview with me published in the Brazilian photography magazine Revista Zum on July 17, 2017. In Portuguese.
Read moreI'm excited to present my research on Brazilian postwar photography
I'm excited to present my research on Brazilian postwar photography. My paper, "Bandeirante photographers in global context: Brazilian participation in FIAP, 1950–1965" is included in the program of the conference In Black and White: Photography, Race, and the Modern Impulse in Brazil at Midcentury.The conference takes place at the Martin E. Segal Theater, The Graduate Center, City University of New York (365 Fifth Avenue), May 3, 2017.
Read moreMy article "Rules of the Photographers' Universe" in Photoresearcher
I'm honored to see my latest research article, "Rules of the Photographers' Universe," published in the April 2017 issue of Photoresarcher, a prestigious European photography magazine.
Read moreThrilled to speak at the conference "Art, Institutions, and Internationalism: 1933–1966"
I am thrilled to present the findings of my on-going research in paper "The Misunderstood 'Universal Language' of Photography: The Fourth FIAP Biennial, 1956" at the conference Art, Institutions, and Internationalism: 1933–1966. The conference takes place at the Graduate Center, City University of New York, March 7, 2017.
Read moreI'm presenting my latest research at the CAA 2017, New York City
I am very excited to present my latest research at the CAA 2017 in New York City. I am presenting my paper, The “Cosmopolitan Art”: The FIAP Yearbooks of Photography, 1954–60 at the session "Photography in Print" at the Gramercy A/West (2nd Floor), New York Hilton Midtown, Friday, February 17, 2017, 10:30am–12:00 noon.
Read moreKorean contemporary art in the US - judging a competition, Part II
I had the honor to speak on behalf of the jury of the AHL 2016 Visual Art Award at the AHL Foundation's 13th Annual Benefit Gala & Awards Ceremony, New York City, October 22, 2016. The work of the jury was not easy because all submissions were of high quality. The prizes went to the artists whose work stood out the most - artists who had the most convincing voice and the most articulate vision.
Read moreThe Selfie: More and Less than a Self-Portrait, an invited talk at the New School
In the invited talk “The Selfie: More and Less than a Self-Portrait” I will argue that the selfie is neither a low-brow offspring of the noble tradition of self-portrait in art, nor a democratic and popular version of self-portraiture in general. Instead, I will emphasize the specific conditions of making and viewing selfies as part of a live stream of updates on platforms such as Instagram.
Read moreWhy every self-portrait is not a selfie, but every selfie is a photograph
This article, commissioned by Riga Photography Biennial 2016, focuses on the role of technologies in defining and understanding the selfie. I examine the difference between the way datasets of selfies are being constructed for research and comparison, and how selfies are consumed and experienced in their natural habitat, the live flow of images on Instagram.
Read moreJudging the #artdatathon at the Museum of Modern Art
On February 20, 2016, I was invited to serve as one of the judges of Untitled: Art Datathon at the Museum of Modern Art (MoMA), New York. Art Datathon was a two-day workshop dedicated to creating data analysis and visualization projects based on the dataset describing the collection of MoMA.
Read moreDefining competitive photography
In this article, I introduce a term competitive photography and define its historical emergence in the international juried exhibitions of photography in the 1950s. I believe that this term, competitive photography. brings into focus a large segment of photographic practices, contemporary and historical alike, which so far has escaped the attention of scholars.
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